Back in February I was fortunate enough to inspect a number of pieces from Casely-Hayford's Aw10 collection at my dream walk in wardrobe, the Showroom Next Door. This Touba Distribution curated showroom granted me the opportunity to catch a glimpse and cop a feel of a number of my favourite brands and introduced me to a few new ones along the way. I spent the best part of two hours fully immersing myself in the new collections of Mr. Hare, Casely-Hayford, H by Harris and Bruno Chaussingnand before being acquainted with Japanese denim specialist Sable Clutch and amazing knitwear by The Inoue Brothers. However, I spent most of that two hours around the Casely-Hayford display. Since that February afternoon I've been excitedly awaiting sight of their look book and after a few months of leg twitching and finger tapping my limbs can now rest easy. I caught up with Charlie Casely-Hayford for an exclusive interview and first look at the images for Dazed Digital but I'd like to pore over the images and text once more with you.
For their fourth collection, Casely-Hayford explore the boundaries of black hues. Having forged a strong design house signature combining fine tailoring with elements of sportswear and the spirit of London’s youth culture, the Casely-Hayford vision is translated into a new statement for Autumn/Winter 2010. This season Casely-Hayford reassesses ideas of masculinity, drawing influence from Military uniforms and revisiting the darkened sensibility of Afro Punk (the 'hankersleeves' of SS10 make a welcome return). The Afro Punk is now encased in armour. The father and son design duo have undoubtedly built on the successes demonstrated in their first three offerings with a fully drool inducing fourth collection. I bumped in to Charlie last month and he hinted that this was the collection they wanted to make when they launched the label. Having spent a good half hour marveling at the collection in the showroom and having now seen it in its entirety, it is easy to see why.
Charlie Casely-Hayford on how the collection evolved
(The full interview can be read over on Dazed Digital)
(The full interview can be read over on Dazed Digital)
The main reference points were cultural signifiers that captured strong ideas of masculinity. It was about reasserting a physical representation of strength and sartorial gravitas during bleak times. The duo turned to military paratroopers, boxers, bikers, traditional English Labourers and added formal evening wear into the mix and then began to dissect and rebuild their parameters. All of their influences reflect men with a strong sense of self and pride.
"My favourite piece is probably the 'Storm Trooper' jacket - a take on the traditional Donkey jacket. It fuses elements from two extremes of British society within one garment. The outer shell is a donkey jacket formally worn by English labourers and later adopted by skinheads and punks as a symbol of British working class pride. The leather shoulder panels were often used as protection against wear from carrying a shovel or hod on one's shoulder. The inner garment is a classic English Huskey style waistcoast worn most commonly by English aristocracy on country shoots. Together in one garment English Sartorialism and British Anarchy stand true."
Charlie Casely-Hayford on his favourite piece.
(Read the full interview on DD)
The collection focuses on layering and ornamentation, exploring notions of the trans-cultural nomad: a constant traveller whose identity is shaped by the multitude of cultures which surround him. Various shades of black are heightened through the extensive use of Midnight Blue and Metallic grey. The monochromatic palette places emphasis on the importance of the Casely-Hayford silhouette with its dramatic proportions. Themes which define the house spirit include the use of more textured surfaces on outerwear garments. Washed finishes soften the mood of the collection, adding a less structured feel to its overall appearance. Bespoke sartorial methods are combined with technical detailing and it is one happy and aesthetically marriage indeed.
Look Book credits: Photography by Katinka Herbert and assisted by Christopher Kennedy. Art direction by Casely-Hayford & Son and assisted by Christopher Amfo-Okampah.
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